Selecting Silver Solder

How to Harden Metal

Hints for Successful Soldering

Soldering is one of the most basic techniques in metalworking, but also one of the hardest to master. For a very good reason, we are taught in early childhood to fear fire, and the possibility of melting a piece that has a lot of work (and expensive materials) in it is always present. However, as with any process that has a certain mystique about it, understanding how and why soldering works will make us much more comfortable with it. Especially, knowing why the process works will let us do some intelligent troubleshooting, rather than simply guessing when a problem arises.

There are five basic areas that make up the soldering process: solder, flux, heat, fit, and cleanliness. If the optimum conditions are maintained in each of these five areas, the soldering process will go smoothly. It is when we begin to “fudge,” or get sloppy, that things go wrong. Knowing why something happens will let us solve the problem quickly. Even the pros sometimes have to go back to basics!

Because sheet and wire solder are indistinguishable from regular sheet and wire metal, these solders should be marked as soon as they are purchased. Sheet solder can be scribed with 1, 2, 3, or H, M, E (for hard, medium, easy); wire solder can be hammered or even have knots tied in one end. In order to distinguish between the different melting temperatures, some schools like to use a different form for each: wire for hard, sheet for medium, and flattened wire for easy.

Why use different melting temperature solders? When fabricating a complicated piece, using different melting temperature solders will help prevent the previously soldered joints from remelting, and either shifting or coming unsoldered. (Additional techniques to prevent this will be discussed separately.)

There is no industry standard for exact melting temperatures, and each solder manufacturer has its own specifications. Therefore, buying all your solder from one source will help keep the different melting temperature solders straight, although a combination of solders from different manufacturers may give you more versatility.

You will often see two temperatures listed: a melting point and a flowing temperature, which is higher. The melting temperature is when the solder starts to melt, and the flow point occurs when the solder is completely molten. The difference between these two temperatures, or spread, can be from 25°F to more than 100°F. It's important to know the spread, since it will affect where and for how long you apply the heat. Experimenting with solder from different sources will give you the opportunity to find just the right combination that suits you.

One of the essentials of soldering is heating the solder until it flows. Another essential is the precise placement of the pieces of metal you are trying to solder together so that they become joined the way you want them to be joined. But because one or more of your pieces may virtually be floating on liquid solder once it has become molten enough to flow, the piece or pieces may shift position just as you are joining them. There are several things you can do to minimize this tendency and keep your joins precisely placed.

As it does with everything else, gravity plays a role in soldering, so keeping all pieces as level as possible will help prevent them from floating “downstream.” Even if the two (or more) pieces being joined are not level to begin with for design purposes and the fit is especially critical, there are several ways to keep them from shifting.

One way is to raise “stitches” of metal on the base piece with a graver. These little bumps or prongs will hold the other piece or pieces in place while heating. To create stitches, first scribe a line on the base piece, tracing the outline of the top piece on the spot where you want it to be soldered. This will work on either a flat or a gently curved surface. Again, gravity will take over if the curve is too steep or the top part too heavy.

Using a pointed graver (or a knife or onglette shape), and working from the inside of the scribed line, dig the point of the graver into the metal at about a 30° angle. Just at the edge of the scribe line, push forward only slightly (less than half a millimeter), and then rock the graver upward, raising a sharp point of metal. Do this on at least three points around the scribe line, checking the fit each time. Only a very small stitch is necessary, and a small stitch will just disappear into the solder joint. With a bezel, the stitches can be placed inside rather than outside: scribe a line inside the bezel, and raise the stitches from the outside inward.

Another traditional way of holding pieces in place while soldering is to use binding wire. Binding wire is a soft, iron wire, which is sold in various gauges. Its primary use is in making large hollowware pieces, such as holding a spout to a teapot while soldering. Binding wire can also be used on smaller pieces but must be used with some forethought to prevent marring. Also, being a ferrous material, iron binding wire cannot be put into the pickle, so it must be removed completely before pickling. (There is a stainless steel binding wire available, which, while more expensive, will not contaminate pickle.)

Because solder will adhere to binding wire quite easily, if the binding wire crosses a solder seam, even a previously soldered seam, the wire may become attached to your work, so it's best not to let the wire cross a seam. If this situation can't be avoided, solder that seam first and then raise the wire above the previously soldered seam by placing pieces of scrap metal on either side, thus bridging the joint. A thin coat of yellow ochre paste painted on the solder seam where the binding wire will cross it will also keep solder from adhering to the wire.

Choose a gauge of binding wire that will bend easily, yet is not so thin that the torch will burn through it: 22 to 28 gauges are the most useful in jewelry. Cut off a piece long enough to wrap around the parts to be secured, plus about three inches. Wrap the binding wire around the pieces loosely and twist the ends of the wire closed, but not tightly. Then, using round or chain nose pliers, make an “S” bend in the wire to tighten it just until the pieces are held securely in place. Binding wire that is too tight may cause a delicate part, such as a bezel, to collapse when heated to soldering temperature.

Pins in a soldering coil are probably the most useful holding device (a soldering coil is a coiled strip of heat-resistant sheet material, held in a shallow metal pan). Regular straight pins used for sewing work well, but be sure to use only steel straight pins; some straight pins are nickel-plated brass, and these will melt. There are also larger (longer and heavier gauge) straight pins and T-pins available in most sewing supply stores.

Straight pins can be bent with pliers to any shape and placed in the grooves of the soldering coil to hold almost anything. Be sure to keep the pins away from previously soldered joints or they may become attached. If the pins do become soldered to the piece, remove them completely before you place the piece in the pickle.

Tweezers of various kinds are indispensable for soldering. The regular straight tweezers will let you hold a small part while a larger base is being heated, and then will let you lower the part into position when the soldering temperature is approached. Even easier to use are crosslock tweezers, which require no hand pressure to hold items firmly. In addition to being held in the hand, crosslock tweezers may be propped up on a heat-resistant surface like a charcoal block or fire brick. Crosslock tweezers may also be held in a separate stand, called a “third hand.” Since steel will conduct heat, although at a much slower rate than silver or copper, I recommend using crosslock tweezers with an insulating grip, to prevent scorching your fingers. And remember not to put steel tweezers into the pickle!

One word of caution: crosslock tweezers with a very strong grip may mar metal when heated to soldering temperatures, but you can relax that grip. First, heat the tips of the tweezers to red-hot and then let them air-cool, which will anneal or soften the steel. Then bend the tips until you adjust the strength of the grip so that it will hold metal firmly without marring it.

Stands that hold two alligator clips in adjustable arms can be useful. Just be sure to anneal the clips (heat to red-hot and air-cool) before using them the first time, or they may damage your work.

Another handy product for soldering multiple small parts, such as heads for stones, is soldering investment. Caution: for this procedure, you cannot use regular casting investment or plaster of Paris, which could explode when heated to soldering temperature.

To use soldering investment, place your parts face-up in plasticine (modeling clay) or soft wax, positioned exactly as you want them, and build up a small rim of clay or wax around the parts. This works especially well for soldering many tiny heads together, as it keeps them perfectly aligned: you can shape the clay or wax to duplicate the curve of a ring, for instance.

With your pieces in place, next mix the soldering investment and pour it over the parts. When the investment hardens, in about an hour, carefully peel the wax or clay away, leaving the backs of the parts exposed. After cleaning thoroughly (both wax and plasticine are oil based) with a steam cleaner or solvent, use the torch to heat the investment all around the parts to make sure it is completely dry. Then flux and solder as usual. After soldering is finished, break away the investment, pickle, and clean.

There are a number of other products that can be used to hold parts in place while soldering. Pumice lumps or Carborundum grains in a small pan will permit you to “nest” odd-shaped parts that need to be joined. A non-asbestos powder mixed with water (such as “Extra Hands”) can be molded like putty and used to support small parts while soldering. Odd bits of charcoal block or fire brick can also be shaped to help support parts. Any of these need to be used with some caution: some will scratch metal, while others may either reflect heat or draw it away from the items to be joined.

 

Selecting Silver Solder
 

Soldering is the process of joining two or more pieces of metal by using a metal alloy whose melting temperature is lower than the metals being joined. Hard soldering is also called low temperature brazing. Soft soldering uses very low melting temperature solder alloys, usually of tin and lead, and is not commonly used in fine jewelry.

Solder is a nonferrous (without iron) metal alloy, the major percentage of which is usually the same as the metal being joined: gold, silver, copper or brass. Gold solder is available in different colors to match various alloys. Because brass and copper solder, both also known as brazing rod, has a high melting temperature and is brittle, silver solder is usually used on these metals as well as on silver. All of the nonferrous metals (gold, silver, copper, brass, or bronze) that have a relatively high melting temperature can be soldered with either gold or silver solder. Both gold and silver solders are available in different melting temperatures, and are manufactured in several forms.

Forms of solder include sheet, wire, pallions (clippings or chips), and paste. Which form of solder to use is a matter of training and personal choice. I prefer to use sheet, cut into small pallions, because wire solder, being round, will sometimes roll away from the force of the flame; sheet stays where you put it (usually). Paste solder, a mix of tiny bits of solder mixed with a paste flux, is used primarily by mass producers in machine soldering and is the most expensive form of solder. Knowing how much paste solder to use requires a bit of experimenting.

Melting temperatures of solder are determined by the zinc content: the higher the zinc content, the lower the melting temperature. Zinc is what turns the lower melting temperature silver solders a yellowish-gray; to avoid conspicuous solder lines, use the highest temperature solder feasible. Pits in the solder seam are caused when the solder is overheated and the zinc burns out. Again, using a higher temperature solder (and controlling the heat) will help to prevent pitting.

The most common divisions of melting temperatures in silver solder are:

  • IT: the highest melting temperature, used on fine silver when enameling;
  • Hard: used for bezels and as a first step when doing multiple soldering;
  • Medium: used mostly when only one or two steps will be done;
  • Easy: used as a final solder or when soldering on findings; and
  • Extra Easy: used primarily for repairs (distinctly yellow in color).
Gold solders come in Hard, Medium, Easy, and Extra Easy as well as different karats and colors. One manufacturer has recently come out with a Medium Hard silver solder, with a melting temperature between that of hard and medium solder.

 

Solder Flow Points Used for
Hard 1450°F/788°C First soldering operations
Medium 1360°F/738°C General soldering; intermediate operations
Easy 1325°F/719°C General soldering and repairs; intermediate or final operations
Extra-Easy 1207°F/653°C Final soldering
How to Harden Metal
To harden karat gold, fine and sterling silver, gold-filled, brass, and copper, set your oven to 600°F for hard temper, 900°F for half-hard, and 1200°F for dead soft. Place your metal in the oven for 1/2 to 1 hour. You may want to experiment with the length of time to achieve the desired hardness.

 

Helpful Hints for Successful Sawing
Test the tension of the sawblade before sawing; a loose blade will break easily and won't cut properly.

Blade selection is determined by the thickness of the material to be cut and the intricacy of the line to be cut. When choosing a blade size, make sure there are at least two teeth within the thickness of the metal. If the blade tooth is larger than this, the saw can snag on the piece, a major cause of blade breakage. See page 176 of our Tools & Equipment catalog for a recommended use chart. Choose a finer blade when cutting curves than when cutting straight lines.

Hold the saw frame in as vertical a position as possible when sawing and strive for long, even strokes for sawing efficiency and longer wear of your saw blades. Always lubricate your blades with Bur-Life® to ensure smooth, easy cutting. Remember, sawing motion should come from the elbow, not the wrist. The wrist should be locked, but your grip on the sawframe handle should be light--no white knuckles! Also, it is best to hold the sawframe at right angles to the body and bring the work to the saw. So, if you are sawing a circle, you should be turning the material into the saw, not trying to saw around the material.